![]() ![]() ISBN 1-1.This silver wall letter is hand carved from sustainable wood and is gilded with a metal leaf. Can't Stop Won't Stop: A History of the Hip-Hop Generation. Buppies, B-boys, Baps & Bohos: Notes on Post-Soul Black Culture. ^ "Hip Hop Mourns Death Of Legendary Graffiti Writer PHASE 2".^ "The Bill Laswell Discography, 1982"."Hip Hop Learning: Graffiti as an Educator of Urban Teenagers". "Phase 2, an Aerosol Art Innovator, Is Dead at 64" – via. ^ a b Caramanica, Jon (December 20, 2019).Marrow died on Decemat age 64 in New York City, after suffering from amyotrophic lateral sclerosis. Phase 2 later worked as a consultant on the 1984 movie, Beat Street. The role was played by Fab 5 Freddy, also a graffiti artist. In the DVD commentary for the film, director Charlie Ahearn explained that, when thinking about the key character named "Phade", he had Phase 2 in mind. #B in graffiti movie#Though he did not have a role in the production, Phase 2 did apparently influence the classic early hip-hop movie Wild Style. It was accidentally removed and destroyed during a reconstruction of the center. The sculpture stood for years in the Jacob Javits Center. The piece stood over 6 feet high and was made of brushed steel. Phase 2 was the first to create a large-scale, three-dimensional graffiti/aerosol sculpture. He spent a lot of time educating people like me who were eager to learn more about hip hop culture, back in the early 1980s. Holman: "Phase 2 was a good friend and a good person who cared deeply for other people and the culture (hip hop, aerosol/graffiti) he was greatly responsible for creating. ![]() Phase 2 made numerous flyers for Holman's hip hop events and many other hip hop events, and was the first person to use the term "hip hop" on a flyer. ![]() Īlong with Michael Holman, Phase 2 helped form the pioneering break dance crew, The New York City Breakers, and gave the crew their name. Phase 2 was also a b-boy and claimed that his dance crew pioneered the uprock (or "battle rock") style of dance, despite claims that it originated in Brooklyn. "The Roxy" featured the Bill Laswell-led group, Material, and Grand Mixer DXT. "Beach Boy" was a collaboration with Barry Michael Cooper, who later wrote the script for New Jack City. In 1982, as part of his involvement with the Roxy scene, Phase 2 released two rap singles. He was also part of the first "international" hip-hop tour when stars from the Roxy performances toured in England and France. Phase 2 designed the flyers for these events and often created aerosol pieces live on stage. These shows brought together the top DJ's, rappers, break-dancers, and aerosol artists from the South Bronx and introduced hip-hop music and culture to the downtown punk and new wave scenes. ![]() Phase participated in hip-hop shows organized by Kool Lady Blue during the summer of 1982 at The Roxy in Chelsea, Manhattan. In 1986, Phase 2 became the art director of International Get Hip Times, the first ' zine about aerosol culture. He was featured in an essay on graffiti art by Richard Goldstein, which appeared in New York magazine. #B in graffiti professional#Over time Phase's work become more complex, moving away from the simple tags of the early 1970s to "hieroglyphical calligraphic abstraction." In 1975, he joined the newly created United Graffiti Artists, a professional aerosol writer collective that began to attract media attention. Hip-hop journalist Jeff Chang has noted that Phase 2's canvasses from 1973 have "been widely recognized as defining the early genre." He is also credited with having pioneered the use of arrows in graffiti writing around this same time. He described the thrill of tagging subway cars as "impact expressionalism". Phase 2 quickly embellished on his original form, creating and naming dozens of varieties of softies, such as "phasemagorical phantastic" (bubble letters with stars), "bubble cloud", and "bubble drip". The puffed-out, marshmallow-like letters drawn by Phase 2 were soon copied by other artists who added their own variations. In late 1972, Phase 2 first used an early version of the "bubble letter" or "softie", a style of writing which would become extremely influential and is considered a "giant leap" in the art form. Example of a PHASE 2 piece on a subway car, utilizing the bubble letter style. ![]()
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